#LAURA MARLING AND CHARLIE FINK SERIES#

Charlie Fink was born in in May 16, 1986. Sigh No More is shot through with Christian iconography, from the hymnal 'Awake My Soul' to the country gait of 'Roll Away Your Stone', with its ruminations on grace and sin. Charlie Fink net worth and salary: Charlie Fink is a Folk Singer who has a net worth of 2 Million. Whether this lowest-common-denominator approach to folk will convince early fans on release will be a measure of the mass.Īnd the plot doth thicken with the lyrical content of this album. What piqued interest - perhaps only for the fact that it was so far removed from ubiquitious 'indie' - in EP format, lacks any subtlety and humility when extended to album length. A fourpiece clad more often than not in tweed and braces, Mumford And Sons are a burly band of solid folk musicians whose debut mounts three chords and plugs them senseless for the duration of its twelve tracks.

#LAURA MARLING AND CHARLIE FINK SERIES#

Mumford And Sons have been gathering pace for the best part of a year, releasing a series of three EPs and cajoling malleable indie-kids into country dancing at festivals and gigs. The press tired of a tag that meant little other than to its proponents, who were too busy hanging around massaging one-another's egos over the rhyming dictionary to make any lasting impression.įrom the ashes of this phenomenon rises another, stranger beast. Before establishing herself as a successful independent artist, she played in Noah and the Whale and dated frontman Charlie Fink (breaking up shortly after the release of their first album in 2008. It's all gone rather the shape of the pear now, with Fink telling sob-stories to the Guardian about his second 'Laura Marling break-up' album, and word going quiet about the scene. Tabloid stuff, dear reader, tabloid stuff. Noah And The Whale were in there at the start but then it all went wrong after frontman Charlie Fink got dumped by Marling for new-folk godfather, Marcus Mumford. They numbered Marling, Mumford And Sons, Johnny Flynn, Jay Jay Pistolet, Cherbourg and Peggy Sue among others. It was meant to reflect the collective ambitions of one of the most inward looking musical gangs of recent years - a banjo-bothering, fiddling troupe that gatecrashed each other's tours and got together for a big back-slapping Christmas do in Cargo. About a year ago, off the back of the emergence of one Laura Marling, someone in an ivory tower at music press headquarters christened a genre: new folk.

Laura marling and charlie fink